Film Reviews
Ennio Morricone, among the greatest composers for the cinema, is dead at 91
By Marc Wells, 8 July 2020
Ennio Morricone will undoubtedly be mourned by millions of people around the world. He composed scores for 70 award-winning films, and more than 70 million recordings of his music had been sold by 2016.
Spike Lee’s Da 5 Bloods: A lifetime of war
By Hiram Lee, 2 July 2020
Four African-American veterans of the Vietnam War return to present-day Vietnam to recover the remains of a fallen comrade. Buried with him is a cache of gold bars worth millions.
British actor Ian Holm (1931–2020): Classical performance adapted for the screen
By Paul Bond, 27 June 2020
It is difficult not to see his subsequent representation of a character’s inner life as being drawn from his family background.
Antigone from Canada recounts the struggle of an immigrant youth to defend her brother against state violence
By Laurent Lafrance, 24 June 2020
Unlike insipid mainstream Canadian cinema, Antigone deals honestly with critical issues such as the oppression of immigrants, police violence, a mounting youth revolt and, to some extent, social inequality.
Quebec film distributors censor Roman Polanski’s J’accuse
By Louis Girard, 20 June 2020
Yielding to the anti-democratic #MeToo campaign, distributors in Quebec refused to buy the rights to Polanski’s remarkable film about the Dreyfus Affair.
Seven Days in May (1964): When American filmmaking envisioned a military coup
By Joanne Laurier and David Walsh, 19 June 2020
Directed by John Frankenheimer and featuring Kirk Douglas, Burt Lancaster and Fredric March, the film envisions an attempt to overthrow constitutional rule in the US. Where do we stand 56 years later?
Abel Ferrara’s Tommaso: The only clouds on the horizon are personal ones
By Erik Schreiber, 18 June 2020
Ferrara’s latest semiautobiographical film focuses on certain of the director’s fixations with hardly any reference to the larger, convulsive world.
The BBC’s Sitting in Limbo: Compelling dramatization of the anti-migrant Windrush scandal
By Margot Miller, 17 June 2020
Vicious measures were introduced in the aftermath of the 2008 banking crash and subsequent bailout to try and divide the working class by scapegoating ethnic minorities and migrants for the austerity that followed.
True History of the Kelly Gang: Little resemblance to the real story
By Jason Quill and Richard Phillips, 13 June 2020
Justin Kurzel’s film is the 16th about the late 19th century Australian bushranger and anti-establishment outlaw.
Homecoming, Season 2: The menacing “giant” that is the US military-industrial complex
By David Walsh, 12 June 2020
The second season of Homecoming, the web television series about US corporate-military criminality, premiered on Amazon Prime Video on May 22.
Baghdad Central on Hulu: Where is the outrage?
By Joanne Laurier, 10 June 2020
Baghdad Central, a six-part series on Hulu, is a crime drama set in the wake of the 2003 US invasion and occupation of Iraq.
Italian actress Lucia Bosè (1931-2020), Rome 11:00 and the social dimensions of a tragedy
By Hiram Lee, 9 June 2020
Italian actress Lucia Bosè died March 23 from complications related to COVID-19. She was 89 and living in Segovia, Spain at the time of her death. Bosè got her start in the Italian neorealist movement, known for its dramatizations of the lives of the poor and working class.
All Day and a Night: Life in prison to look forward to
By Kevin Martinez, 8 June 2020
Although no doubt well-intentioned and containing realistic elements, the film, unfortunately, follows a rather predictable path.
Uncut Gems: How to win bets and alienate people
By Erik Schreiber, 6 June 2020
The latest film from the Safdie brothers has much momentum, but little insight into its grasping protagonist or his tawdry world.
Unorthodox: Netflix series tells story of young woman’s flight from Hasidic community in New York
By Fred Mazelis, 3 June 2020
Esty Shapiro, a 19-year-old unhappily married woman in Brooklyn, leaves her Jewish ultra-Orthodox Hasidic community, traveling to Berlin to find her mother and begin a new life.
Singer Johnny Cash’s first wife: My Darling Vivian shows us the woman who walked the line
By Erik Schreiber, 29 May 2020
An often-touching documentary recounts how Cash’s first wife coped with unwanted media attention, her husband’s increasing emotional distance and racist threats.
“Lost our connection after the war”
Once Were Brothers: Robbie Robertson and The Band—a documentary film
By James Brewer, 25 May 2020
Robbie Robertson: “The story of the Band is beautiful. It was so beautiful it went up in flames.”
Woody Allen’s A Rainy Day in New York: A little more of an edge than usual
By David Walsh, 16 May 2020
Disgracefully, A Rainy Day in New York has been suppressed in the US. The film was completed in 2018, but Amazon Studios refused to distribute it.
The thievery in Bad Education: Capitalism “is the villain more than any one individual”
By Joanne Laurier, 11 May 2020
Bad Education on HBO concerns the largest embezzlement scandal in the public education system in US history, in Roslyn, Long Island, a crime that came to light in 2004.
Ricky Gervais’ After Life: To be or not to be, that’s one of the questions
By David Walsh, 9 May 2020
Tony Johnson (Gervais) is devastated by the death of his beloved wife Lisa (Kerry Godliman) from breast cancer. He finds it difficult to carry on with life and frequently contemplates suicide.
Resistance and The Resistance Banker: Dramas of the struggle against Nazism
By Joanne Laurier, 1 May 2020
The crimes of the Nazis, the greatest ever committed against humanity, generated some of the noblest and most self-sacrificing actions in the struggle against their barbarism.
BBC Panorama exposes government responsibility for UK health worker deaths
By Thomas Scripps, 29 April 2020
Using documents from within the NHS supply chain, the investigation rips apart ministers’ claims to have provided 1 billion items of personal protective equipment in the last two months.
The Innocence Files on Netflix: Freeing frame-up victims from prison
By Joanne Laurier, 27 April 2020
The production of and interest in the nine-part documentary are part of the growing opposition in the US both to the death penalty and to mass incarceration.
Star Trek: Picard—The prospects of an aging icon
By Lee Parsons, 18 April 2020
Set late in the 24th century, Star Trek: Picard concluded its 10-episode season in March to generally favourable reviews, if a mixed reception from the faithful.
Curtiz: A film about the filming of Casablanca in 1942
By David Walsh, 17 April 2020
Michael Curtiz was one of the most prolific, talented directors in history, with some 180 films to his credit—a third of them made in his native Hungary and other European countries by the time he emigrated to the US in 1926.
A conversation with Mark Harris, director of Black & Privileged
By Nick Barrickman, 11 April 2020
The World Socialist Web Site spoke last week to the Chicago-based director and discussed issues related to his recent film.
Colewell: The people and places in America that don’t count
By Joanne Laurier, 10 April 2020
Colewell follows Karen Allen as Nora, a postal clerk in a fictitious rural Pennsylvania town. The one-person post office is the center of her existence and has been for numerous decades.
Black & Privileged: Poor African Americans “intrude” on an affluent Chicago neighborhood
By Nick Barrickman, 4 April 2020
Mark Harris’s television film tells the story of a middle-class black community “disrupted” when low-income people are forced to move in.
70th Berlin International Film Festival—Part 5
Strike or Die and several shorts: Filipiñana, Union County, Huntsville Station: A renewed interest in workers’ lives
By Verena Nees, 30 March 2020
This year’s Berlinale showed films featuring workers and their families as central characters who, despite oppressive living conditions, exhibit self-confidence, pride and a degree of rebellious spirit.
70th Berlin International Film Festival—Part 4
My Little Sister, Kids Run, Running on Empty and Sleep speak to growing social tensions and persisting historical nightmares
By Bernd Reinhardt, 24 March 2020
In recent years, a small minority of the middle class have successfully pursued their careers and become wealthy while a large majority directly confront poverty. This polarisation also applies to the art and film world.
70th Berlin International Film Festival—Part 3
Curveball—Germany’s role in the Iraq war—and the horrors of the concentration camp in Persian Lessons
By Stefan Steinberg, 18 March 2020
Johannes Naber’s film is a political satire rooted firmly in evidence researched by the director and his team. Vadim Perelman’s work follows a man who has to invent an entire language to survive.
70th Berlin International Film Festival—Part 2
Speer Goes to Hollywood: A wake-up call about the danger of trivialising Nazi crimes
By Verena Nees, 11 March 2020
The title of Vanessa Lapa’s documentary, Speer Goes to Hollywood, and its tagline, “The Unbelievable Second Career of the Good Nazi,” are enough to stop one in one’s tracks.
Push: An exposure of financial parasitism and the global housing crisis
By Jean Shaoul, 7 March 2020
The film exposes the criminal role of the finance industry, aided and abetted by an army of lawyers, advisors and not least governments, in evicting people and jacking up rents after giving properties a superficial makeover.
Roman Polanski gets César for best director for J’Accuse, in repudiation of #MeToo
By Alex Lantier, 29 February 2020
The French Film Academy openly defied demands from the #MeToo movement and President Emmanuel Macron’s government not to give Polanski an award.
70th Berlin International Film Festival—Part 1
Some tantalising glimpses of social reality
By Verena Nees, 28 February 2020
The 70th Berlinale offers an interesting program, including a significant number of films dealing with the current, tense social situation.
Michael Winterbottom’s Greed: A searing indictment of the super-rich
By Thomas Scripps, 26 February 2020
Greed offers a sharp and often funny critique of the impact on society of rule by a criminal financial oligarchy, and deserves a wide audience.
Echo in the Canyon: The “California sound” of the mid-1960s
By Joanne Laurier, 24 February 2020
Echo in the Canyon, a documentary, celebrates the music and performers who came out of Los Angeles’ Laurel Canyon neighborhood in the mid-1960s.
Claire Mercer speaks on the campaign to abolish UK smart motorways—Part 1
By Robert Stevens, 19 February 2020
Claire Mercer is leading a fight to end the use of “smart motorways” after her husband, Jason, was tragically killed on a smart motorway near Sheffield, on June 7, 2019.
#MeToo collaborates with fascistic forces to block showing of Polanski’s film J’Accuse
By Alex Lantier, 15 February 2020
Allied with the reactionary Macron government, #MeToo demands the censorship of Polanski’s brilliant account of the anti-Semitic frame-up of Captain Alfred Dreyfus, which was a seminal event in modern French history.
John Pilger’s The Dirty War on the National Health Service screening on Australia’s SBS this Sunday
By our reporters, 15 February 2020
The WSWS urges all our readers to watch this powerful documentary on SBS television, at 8.30 p.m. Sunday night, February 16.
BBC Panorama exposes rising death toll on UK’s “smart motorways”
By Paul Bond, 14 February 2020
Smart motorways were introduced in a cost-cutting measure, as a means of easing congestion without expanding the existing road network—by turning the hard shoulder of conventional motorways into a live traffic lane.
The King: A film drama (insufficiently) inspired by Shakespeare’s work
By Joanne Laurier, 14 February 2020
The King is a Netflix historical drama broadly tracing the life of Henry V (1386–1422), with a certain anti-war coloring.
A comment on American Factory, the award-winning documentary
By Lily Zhao, 12 February 2020
The work won in the best documentary feature category at the Academy Awards on Sunday night. It was the first film produced by Barack and Michelle Obama’s production company, Higher Ground Productions.
On the eve of the Academy Awards ceremony
New York Times’ Wesley Morris complains that eight of the films nominated for Best Picture “are about white people”
By David Walsh, 8 February 2020
Morris, the ideological product of decades of selfish identity politics, espouses a thoroughly racialist interpretation of history and culture. He seemingly cannot perceive anything else aside from race.
Advocate (2019): “An angry, optimistic woman” in pursuit of justice for the Palestinians
By Jean Shaoul, 4 February 2020
Advocate exposes the bankruptcy of the pursuit of justice for the Palestinians through the Israeli courts.
Michael Apted’s 63 Up: The ninth film in the remarkable series
By Kevin Martinez, 3 February 2020
The British documentary “Up” series has followed the lives of a group of Britons from age seven up to the present, when they are now all 63. The latest film provides insights into not only their lives, but the nature of the postwar period.
Steven Soderbergh’s High Flying Bird: Sports and racial politics
By Joanne Laurier, 1 February 2020
Steven Soderbergh’s latest film High Flying Bird concerns itself with a fictional National Basketball Association (NBA) lockout, but is essentially an accommodation to identity politics.
“This ain’t a nice place to be: This ain’t Belmarsh, it’s Hellmarsh”
ITV documentary reveals conditions in prison holding WikiLeaks publisher Julian Assange
By Paul Bond, 30 January 2020
Despite going unmentioned, Assange’s deteriorating health and the concerns of independent medical professionals about his effective solitary confinement in the health care unit hung silently over the programme.
Weathering With You: Climate change and fatalism
By Matthew MacEgan, 23 January 2020
Makoto Shinkai’s latest anime film is the Japanese entry for Best International Feature Film at the 92nd Academy Awards.
When Hitler Stole Pink Rabbit: A child’s-eye view of the Nazis’ crimes
By Stefan Steinberg, 22 January 2020
The film is an adaptation of the book by Judith Kerr, the German-born British writer, published in 1971 and the first part of her Out of the Hitler Time trilogy.
Little Women: The new film adaptation of Louisa May Alcott’s famed work
By David Walsh, 20 January 2020
Greta Gerwig has directed the latest and a generally conscientious film adaptation of Alcott’s novel about four sisters and their parents during the Civil War era.
Sam Mendes’ 1917: A technological step forward, several ideological and artistic steps back
By Joanne Laurier, 17 January 2020
1917, directed by British filmmaker Sam Mendes, recounts a fictionalized episode set during World War I. Failing to indict those responsible for the carnage or explore its context, the movie does not qualify as an anti-war film.
Left-wing British film and television producer Tony Garnett dead at 83
By our reporter, 16 January 2020
Garnett’s career spanned 50 years, but he is identified above all with one of the most significant and creative periods in the history of television drama in the UK.
The 2020 Academy Award nominations: A generally weak, if unsurprising showing
By David Walsh, 15 January 2020
The nominations as a whole reflect the combination of strong commercial pressure, Hollywood liberal views and limited artistic tastes that generally dominate the Academy Awards.
Bombshell invents a ruling-class hero
By Erik Schreiber, 11 January 2020
To present former Fox News anchor Megyn Kelly as a truth-teller and role model, Bombshell minimizes Kelly’s right-wing views and largely ignores her employer’s role in promoting them.
The Kill Team: Are US military atrocities in Afghanistan just the work of a few “bad apples”?
By Joanne Laurier, 10 January 2020
The film is a fictionalized version of the events known as the Maywand District murders, the killing and mutilation of unarmed Afghan civilians carried out by American soldiers in 2010.
At the Golden Globes awards ceremony: Comic Ricky Gervais causes a stir
By David Walsh, 9 January 2020
Gervais ruffled some feathers in Hollywood and the media, most of which deserved to be ruffled, on Sunday night at the Golden Globes awards ceremony.
An interview with film critic Jonathan Rosenbaum: “I’m trying to do something aesthetic through criticism”
By David Walsh, 6 January 2020
The WSWS recently spoke to Jonathan Rosenbaum, the longtime film critic for the Chicago Reader and author of numerous books on filmmaking.
Just Mercy: The cruelty of Alabama’s death penalty
By Joanne Laurier, 6 January 2020
The film is based on Bryan Stevenson’s bestselling 2014 memoir, Just Mercy: A Story of Justice and Redemption. It dramatizes Stevenson’s courageous efforts to reverse death penalty sentences in Alabama.
Best films and television of 2019 and the decade
By David Walsh and Joanne Laurier, 31 December 2019
The difficulties and obstacles confronting the sensitive and thoughtful artist in our day should not be underestimated or regarded unsympathetically.
Star Wars: The Rise of Skywalker—All the gimmicks to rake in the revenue
By Matthew MacEgan, 27 December 2019
December 2019 saw the end of the “Skywalker Saga” with the latest entry in the Star Wars franchise of films.
Terrence Malick’s A Hidden Life: An Austrian farmer’s lonely defiance of the Nazis
By Fred Mazelis, 24 December 2019
An important subject is treated with the generally mystical-religious outlook for which Terrence Malick has become known.
The Revolution and the Land: Peruvian documentary about agrarian reform in the 1960s and ’70s attracts great interest
By Armando Cruz and Cesar Uco, 23 December 2019
The documentary brings to life the centuries-long exploitation of the indigenous Peruvian peasantry, but fails to provide a coherent political analysis of the rise and fall of Gen. Velasco’s regime.
Marriage Story: Noah Baumbach, self-involvement and the divorce racket
By David Walsh, 21 December 2019
Marriage Story, now streaming on Netflix after a brief theatrical release, is the account of a divorce between a theater director and an actress set in Los Angeles and New York.
The death of Anna Karina at 79—the actress featured in Jean-Luc Godard’s films in the 1960s
By David Walsh, 17 December 2019
Anna Karina, the Danish-born actress indelibly associated above all with the early films of French-Swiss director Jean-Luc Godard, died Saturday at a Paris hospital from cancer.
Queen & Slim: An African-American couple on the run
By Joanne Laurier, 14 December 2019
In Queen & Slim, a racist white policeman is killed in the act of assaulting two young black people. Relying on certain aspects of reality, the film creates a largely mythological picture to justify a strand of rabid identity politics.
Twin Flower, about the refugee crisis, from Italy—and Midnight Family, about poverty and health care, from Mexico
By Joanne Laurier, 12 December 2019
Two adolescents—one an African refugee—find themselves in painful straits in Twin Flower. Midnight Family focuses on a family in Mexico eking out a meager existence by driving its own private ambulance.
Dark Waters: American capitalism poisons its population
By Joanne Laurier, 9 December 2019
Todd Haynes’ Dark Waters is a retelling of the nearly 20-year legal battle against the massive toxic chemical contamination of Parkersburg, West Virginia by the DuPont chemical company.
Ladj Ly’s Les Misérables: French youth in revolt
By David Walsh, 4 December 2019
Ly’s work, with its strengths and weaknesses, is an honest effort to confront the wretched reality prevailing in the working-class suburbs (banlieues) surrounding Paris.
Martin Scorsese’s The Irishman: A gangster’s life and claims
By Kevin Martinez and David Walsh, 3 December 2019
Scorsese’s new film The Irishman sets out to dramatize the life of Frank Sheeran, a member of a Pennsylvania crime family and a Teamsters union official. On his deathbed, Sheeran “confessed” to having killed Jimmy Hoffa.
Scott Z. Burns’ The Report exposes CIA torture, then absolves the Democrats
By Joanne Laurier, 29 November 2019
The Report is a film dramatization of the events surrounding the US Senate Intelligence Committee’s investigation into and writing of a report on pervasive CIA torture under the Bush administration.
Ford v Ferrari: Life at high speed
By Joanne Laurier, 27 November 2019
Ford v Ferrari recounts Ford Motor Company’s bid to unseat Ferrari as the reigning champion of Le Mans in the 1960s. The Professor and the Madman tells the fascinating story of the creation of the Oxford English Dictionary .
Atlantics: The cruel fate of African youth
By Joanne Laurier, 22 November 2019
An eerie, haunting film, Mati Diop’s Atlantics: A Ghost Love Story deals fantastically with Senegalese youth lost at sea as they undertake lengthy, dangerous trips to Europe for economic reasons—and those they leave behind.
J’accuse (An Officer and a Spy): Roman Polanski’s masterpiece on the Dreyfus Affair
By Alex Lantier, 19 November 2019
Director Roman Polanski’s J’accuse recounts the 12-year struggle to clear Alfred Dreyfus, a French Jewish officer unjustly convicted of spying for Germany in 1894.
Michael Winterbottom’s Greed: A searing indictment of the super-rich
By Thomas Scripps, 18 November 2019
Greed offers a sharp and often funny critique of the impact on society of rule by a criminal financial oligarchy and deserves a wide audience.
Parasite: An unusual director with his antenna attuned to social class
The Lighthouse: A gothic horror film
By Joanne Laurier, 16 November 2019
Parasite is a dark comedy from South Korean filmmaker Bong Joon-ho that concerns itself with income inequality and its implications. The Lighthouse is a pointless horror film set in the late 1800s in New England.
Harbor (Jeter l’ancre un seul jour): A young refugee in need finds allies
By David Walsh, 15 November 2019
In 23-year-old Paul Marques Duarte’s short film, a teacher helps “smuggle” an undocumented immigrant from France to England on board a ferry.
Filmmaker Errol Morris provides the extreme-right’s Stephen Bannon a platform in American Dharma
By David Walsh, 11 November 2019
All in all, Morris treats Bannon with kid gloves.
Jojo Rabbit: A misguided comedy about Nazis
Edward Norton’s neo-film noir, Motherless Brooklyn
By Joanne Laurier, 8 November 2019
Jojo Rabbit is a would-be satirical comedy about Nazi Germany. Set in 1957, Motherless Brooklyn follows a gumshoe protagonist with Tourette syndrome on the trail of crimes that lead directly to New York’s City Hall.
Pain and Glory from Spain’s Pedro Almodóvar
By David Walsh, 6 November 2019
The new film treats the crisis of a famous Spanish filmmaker, Salvador Mallo (Antonio Banderas), who has ceased being able to create. Salvador suffers from a variety of physical and psychic maladies.
Judy: Singer-actress Judy Garland’s sad fate brought to the screen
And Harriet: A film biography of abolitionist Harriet Tubman
By Joanne Laurier, 4 November 2019
Judy Garland was one of the most beloved entertainers in the US and internationally in the 20th century. Abolitionist Harriet Tubman’s remarkable life deserves a more profound treatment.
The Current War: Director’s Cut—About Thomas Edison, electricity and the 1880s
By Joanne Laurier, 28 October 2019
The film, originally screened in 2017, fell victim to the scandal surrounding its producer, Harvey Weinstein.
Cézanne and I (Cézanne et moi): The relationship of painter Paul Cézanne and novelist Émile Zola
By David Walsh, 24 October 2019
The lives and times of these two extremely complex artists inevitably raise a host of issues.
Sealed Lips: Dramatizing the Stalinist origins of the former East Germany
By Bernd Reinhardt and Verena Nees, 21 October 2019
Director Bernd Böhlich raises the “birth defect” issue of the GDR, i.e., its silence on the Stalinist purges, primarily directed at leading Bolsheviks, particularly Leon Trotsky and many German Communists.
Joker: An unenlightening approach to serious problems
By Carlos Delgado, 9 October 2019
The film attempts to treat a number of critical social issues, but falls short of making much sense of them.
Where’s My Roy Cohn?: A documentary on McCarthy’s right-hand man, mentor to Trump
By Fred Mazelis, 7 October 2019
There are definite reasons why Cohn remained influential almost to the end of his life, and why he remains a potent symbol long after his death.
Toronto International Film Festival 2019: Part 6
Youth in revolt: Les Misérables—and other films: Made in Bangladesh, Mariam, Rocks, Desert One
By David Walsh, 2 October 2019
Les Misérables takes place today in the impoverished Paris suburb that was also a setting in Victor Hugo’s famed novel. Made in Bangladesh proposes that unions are the answer to the exploitation of millions of textile workers.
Toronto International Film Festival 2019
An interview with Ladj Ly, director of Les Misérables: “Victor Hugo described the social misery perfectly”
By David Walsh, 2 October 2019
The WSWS spoke to French-Malian film director Ladj Ly in Toronto during the film festival.
The Peterloo massacre and Shelley
Part 1: The aftermath of the massacre and the responses
By Paul Bond, 30 September 2019
The massacre elicited an immediate and furious response from the working class and sections of middle-class radicals, and an astonishing outpouring of work from the poet Percy Bysshe Shelley.
Toronto International Film Festival 2019: Part 5
Steven Soderbergh’s The Laundromat—on the Panama Papers—and The Goldfinch—the aftermath of a terror attack
Along with a valuable film adaptation of Jack London’s Martin Eden and The Traitor, a Mafia drama
By David Walsh, 28 September 2019
Soderbergh discards his generally non-committal stance in The Laundromat, offering a fairly withering critique of global corporate tax evasion and the financial elite generally.
Ad Astra: Traveling long distances but not getting very far
By Joanne Laurier, 27 September 2019
Featuring Brad Pitt and Tommy Lee Jones, Ad Astra is a space odyssey in which an astronaut son searches for his long-lost astronaut father.
Toronto International Film Festival 2019: Part 4
The Report exposes CIA torture, then absolves the Democrats
Also Just Mercy, Harriet, Ken Loach’s Sorry We Missed You…
By Joanne Laurier, 24 September 2019
The Report is a dramatization of the events surrounding the US Senate Intelligence Committee’s investigation into and writing of a report on pervasive CIA torture under the Bush administration.
Toronto International Film Festival 2019: Part 3
The personal and social tragedy of “dark periods”: Ibrahim: A Fate to Define, South Terminal, My English Cousin, 1982
By David Walsh, 20 September 2019
Lina Al Abed’s film, Ibrahim: A Fate to Define, grapples with complex issues arising from the history of the Palestinian struggle. South Terminal treats Algeria in the “dark years” of the 1990s.
Toronto International Film Festival 2019: Part 2
Love Child, Hearts and Bones, Atlantics: A Ghost Love Story—Some of the social traumas of our time
By Joanne Laurier, 18 September 2019
In different ways, filmmakers are trying to come to terms with certain harsh realities. Love Child, Hearts and Bones and Atlantics: A Ghost Love Story are sincere efforts.
Toronto International Film Festival 2019
An interview with director Eva Mulvad: “You can…come a bit closer to having a more rounded understanding of the world”
By Joanne Laurier, 18 September 2019
The WSWS spoke in Toronto to Eva Mulvad, Danish filmmaker and director of Love Child, about an Iranian refugee family in Turkey and its problems.
Official Secrets: A whistleblower attempts to prevent the Iraq War
By Tim Avery, 13 September 2019
The intensely relevant film is based on the true story of Katharine Gun, who leaked a memo exposing the criminality of the preparations for war against Iraq and was charged by the British government under the Official Secrets Act.
Toronto International Film Festival 2019: Part 1
Paris Stalingrad: The plight of refugees in the French capital, once “one of the best cities”
By David Walsh, 11 September 2019
It already seems possible to assert that the most interesting and serious films at this year’s event concern immigrants and refugees and conditions in the Middle East and North Africa.
An interview with Hind Meddeb, director of Paris Stalingrad: “It’s not a film about refugees, it’s a film about human beings”
By David Walsh, 11 September 2019
The documentary focuses on the plight of asylum seekers on the streets of the French capital
Richard Linklater’s Where’d You Go, Bernadette: A creative “genius” suppresses herself
By David Walsh, 30 August 2019
Bernadette Fox is at odds with her conventional, upper-middle-class environment. She doesn’t care to leave her house much, although the roof leaks badly in various places. She has an antagonistic relationship with a neighbor.
The Photographer of Mauthausen: Documenting Nazi crimes in a wartime concentration camp
By Benjamin Mateus, 28 August 2019
The film is based on the story of Francesc Boix, a left-wing Catalan militant held during World War II at the notorious Mauthausen concentration camp complex in Austria.
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